Who's Afraid of Virginia Woolf?
FRIDAYS AND SATURDAYS
January 24 – February 15, 2020 at 8:00 P.M.
SUNDAY MATINEE, February 9, 2020 at 2:00 P.M.
Drama, by Edward Albee
George, a professor at a small college, and his wife Martha, have just returned home drunk from a Saturday night party. Martha announces, amidst general profanity, that she has invited a young couple to stop by for a nightcap. When they arrive, the charade begins, the drinks flow, inhibitions suddenly melt, and secrets are revealed. Winner of the 1963 Tony Award for Best Play, the Broadway production was a shattering and memorable experience and proclaimed Mr. Albee as a major American playwright.
The Little Mermaid
January 25 – February 15, 2020 AT 11:00 A.M. and 1:30 P.M.
SUNDAY MATINEE, February 2, 2020 at 2:00 P.M.
Adapted by LINDA DAUGHERTY
Based on the beloved tale by Hans Christian Andersen, the story of the little mermaid, Pearl, is brought to life for the stage in this coming of age tale of family, friendship, sacrifice, and finding true love. Will Pearl risk all that she holds dear for a chance at love with the prince whom she adores? This adaptation has been a Company OnStage audience favorite for decades
March 14 – April 4, 2020 AT 11:00 A.M. and 1:30 P.M.
SUNDAY MATINEE, March 22, 2020 at 2:00 P.M.
Adapted by Johnny Simons
The charming tale of the wooden puppet Pinocchio, who dreams of becoming a real boy, is brought to life in true Italian, commedia dell’arte fashion. Our story begins with a troupe of strolling commedia players exploding into the theatre with their noisy props and crude scenery; Arlecchino, Pantalone, Razullo, Beltrama, Pulcinella, Pedrolina, and Columbina. All the familiar characters of Carlo Collodi’s story are portrayed in flamboyant and colorful fashion providing entertainment for adults as well as children.
FRIDAYS AND SATURDAYS
March 13 – April 4, 2020 at 8:00 P.M.
SUNDAY MATINEE, March 29, 2020 AT 2:00 P.M.
A period comedy by Matthew Barber
From the novel by Elizabeth von Arnim, feeling lost in the shadows of marriage and forgotten in the rush of 1920s post-war society, two London housewives pool their savings to rent a villa in Italy for a ladies-only holiday, reluctantly recruiting a pair of difficult upper-class women to share the cost and the experience. Together under the Mediterranean sun, the four women clash, and then begin to bond and bloom, until men once again upset the balance.